Pop Art did not emerge as a unified movement, but as a sequence of visual ruptures that redefined how images function within culture. From the early 1960s to the late 1980s, artists progressively shifted attention from representation to reproduction, from private expression to public visibility. Tracing this evolution through key works reveals Pop Art not as a style, but as a changing system of image-making. 1962 — Andy Warhol, Campbell’s Soup Cans Often cited as the symboli
Harmonia Gallery London
4 min read
offers curated perspectives on artists, movements and printed works in modern art. Through concise essays, we contextualize the cultural role of prints and multiples in 20th century art history.
