Keith Haring’s subway drawings are among the most radical artistic gestures of the late 20th century, not for their imagery alone, but for the conditions under which they were made. Created between roughly 1980 and 1985, these works transformed the New York subway into both studio and exhibition space, redefining the relationship between art, audience and circulation. At a time when Pop Art had already entered museums and the market, Haring redirected its core principles—acce
Harmonia Gallery London
3 min read
offers curated perspectives on artists, movements and printed works in modern art. Through concise essays, we contextualize the cultural role of prints and multiples in 20th century art history.